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Free drum training · No catch

Critical
Comping.

In 4:4Coordination · Time · Phrasing · Interplay

Two pieces of Daniele's method, free. The Critical Comping video, plus a sample lesson from his new book Sticking Brain.

Free course ✦ Sticking Brain lesson ✦ Instant access ✦ Free course ✦ Sticking Brain lesson ✦ Instant access ✦ Free course ✦ Sticking Brain lesson ✦ Instant access ✦ Free course ✦ Sticking Brain lesson ✦ Instant access ✦ 
Free course ✦ Sticking Brain lesson ✦ Instant access ✦ Free course ✦ Sticking Brain lesson ✦ Instant access ✦ Free course ✦ Sticking Brain lesson ✦ Instant access ✦ Free course ✦ Sticking Brain lesson ✦ Instant access ✦ 
Inside your free access

Two ways to practise
with your mind switched on

01Video method

Critical Comping (in 4:4)

Stop drilling patterns you can never use. Build real 4-way coordination, phrasing and interplay that says something in a musical context.

02New book

A lesson from “Sticking Brain”

The opening lesson from Daniele's new book: groups-of-eight and groups-of-six stickings, plus the most common accent variations.

Daniele Chiantese at the blue drum kit
Why it matters

Brilliant in the practice room. Precarious the moment you play with other people.

The problem
95%
on HOW to play it
/
5%
on HOW to use it

Most traditional methods drill hundreds of combinations that engage coordination, but never the mental processes you need to actually use them. Sound familiar?

Every word, no grammar

It is like learning every word in the dictionary, then saying:

“High today the shining and I'm sun out walk today for is sky going.”

It makes no sense. So why does your comping, or your sticking, sound like that? Let's change it.

Daniele Chiantese
Your teacher

Daniele
Chiantese

Session player, producer, sound engineer, educator and clinician, Daniele is a versatile and eclectic drummer who has toured and recorded with some of the top names, from Jazz to Pop, of today's Italian and international scene.

He has performed at the major European music festivals, drum festivals and music fairs, run international clinic tours, and coordinated teaching programs with some of the most renowned conservatories in Europe.

Across a long career he has observed and listened to several thousand drummers, helping them reach their goals in playing efficiency and professional reward through his constantly evolving teaching method.

Both methods come straight out of that experience: a way to keep yourself technically and mentally active, with real benefits for your playing and a lot more fun in the practice room.

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Critical Comping (in 4:4) video
Sample lesson from “Sticking Brain”
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